Who likes to be told what to do? Who likes to have little or no choice in what we do? No one, of course. What did William Blake say? Why is it that everyone is born free but everywhere in chains.
Choice has the connotation of "freedom" while the lack of choice gets lumped into slavery or oppression. I don't think this dichotomy fully gets to the matter of choice. If we once admit that by definition and by nature we live within structures (variously called ideologies, genres, terministic screens, conventions, traditions), then we can see that choice in an ultimate sense is a fiction. Our choice to a degree is always circumscribed by limits we may not be aware of. Yet, we have choice. Choice exists, even if it is only a choice between this and that.
As I examine the subject of choice in writing, I believe it is essential to make choice a substantial option available for writing students. Perhaps it is a strawman argument, but many teachers offer little or no choice to their students just as teachers often limit the kinds of audiences and purposes for which students write (i.e. only to them and only to be graded). See Elbow's Map of Writing:
Thinking in parallel to Elbow's assertion that writers need to write all across this map of different locations related to audience and response, I came up with what I refer to as the Continuum of Choice and Writing
----- Student choice of subject, form and purpose
----- Student choice of subject and purpose;
Teacher choice of form
----- Student choice of subject;
Teacher choice of form and purpose
---- Teacher choice of subject, form, and purpose
I know that I tend to reside in the middle with my writing assignments. I may choose the form and the purpose, but let students find their own topic to write about. Or perhaps I come up with the form (say the Illustrative Essay) but let students determine their own subject and the purpose for why they are writing. What would it be like to let students entirely choose their own subject, form, and purpose? I don't know. I know it would have me think more deeply about the ultimate goals of what I wanted to teach (probably in a positive way).
Fletcher and Portalupi in the 2001 Writing Workshop: The Essential Guide say this about the importance of choice in writing (which is how writing workshop operates in its orthodox form):
“Why is choice so important? ...while teachers may determine what gets taught, only students can determine what will be learned. This is true for learners of any age. We learn best when we have a reason that propels us to want to learn. When students have an authentic purpose for their writing—whether to document an important event in their lives, get classmates to laugh, or communicate a message that matters—they pay attention differently to instruction. Our students know best which topics and purposes for writing matter most to each of them. Letting them choose their own topics and set their own purposes makes it a lot more likely they'll be engaged and receptive.”
I think the key here is when students take ownership themselves of their learning. This is often a rare phenomenon in a school setting, so to find a way to broaden and deepen this kind of learning I think is fabulous. Isn't that what we want? But is this self-sponsored learning what students want or are ready for? This question reminds me of Sheridan Blau's notion of "interpretive dependency" where students come to lean of the teacher to interpret for them and give them the answer. The same holds true for writing instruction and what we might call "productive dependency." Students depend upon their teachers to do the writing for them, to fix it to make decisions about what makes the writing good or bad.
Choice then puts a responsibility on the student's shoulders. It makes them responsible for their own decisions and work. The teacher, then, has the tough job of supporting this growing responsibility without squashing it with criticism. All of this thinking on choice in writing is pushing me toward incorporating it into my curriculum in a more radical way.
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